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Over the course of four days in Santa Fe, we embrace the hands-on process of crafting cameraless imagery from the ground up—journeying backward in time to explore the chemical foundations from which photography all began. We begin in the darkroom, where Briana introduces us to the tactile world of chemigrams, botanical printing, and lumen prints—cameraless processes where sunlight, chemistry, and natural materials interact directly on photographic paper. Harnessing these processes, we craft painterly abstractions and luminous images that reveal the delicate traces of nature. Participants are encouraged to integrate foliage and other natural found objects into their hand-crafted imagery, and have the opportunity to collect botanicals on-location surrounded by the beauty of spring in Santa Fe.
Building upon these analog foundations, we then transition into a hybrid digital-analog practice, learning how to create digital negatives from pre-existing scans or photographs, and explore how to reproduce images in the darkroom as silver gelatin contact prints. With Brianna’s guidance, participants bridge the digital and analog, reintroducing touch, tone, and material depth into digitally derived imagery. We then move into open studio hours, with time for participants to experiment and combine processes learned throughout the workshop. Participants discover how these historic photographic processes can be used to hone their unique vision and, by combining the traditional and the digital, elevate their images to new creative heights.
Throughout the workshop, we ground our experiments in the traditions of photographic abstraction and alchemy, studying artists who work across material, digital, and material exploration. This workshop invites play, curiosity, and exploration—transforming and reimagining what a photograph can be.
This workshop is for photographers of all skill levels and camera systems (including mobile phone users) who are interested in exploring accessible historic photographic processes as a transformative medium, focusing on light-sensitive materials. No prior darkroom experience is needed.
Basic computer skills and the ability to edit and download images using editing software are necessary. Santa Fe Workshops provides all materials necessary for participation in the workshop, but students are welcome to bring their own organic materials.
Computer workstations equipped with M-series Mac minis are provided in the Digital Lab. Please ensure any external hard drives are formatted to be read by Mac systems. See "Santa Fe Campus" for more details.
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Brianna Tadeo (they/them) is a visual artist and educator whose practice explores the history and evolution of photography through a hybrid approach that blends traditional analog processes with digital experimentation. Introduced to the darkroom at age 12 in Philadelphia, their work is rooted in a material understanding of the medium and shaped by a hands-on engagement with old cameras and reclaimed materials. Tadeo holds a BFA from California College of the Arts and an MFA in Studio Arts from the University of New Mexico. As an instructor, Tadeo is committed to process-based learning and encourages experimentation while making photography accessible through alternative and historical techniques.
Website: briannatadeo.com
Instagram: @brianna_tadeo