ICM and Cyanotypes: Blending Digital and Analog Processes

Blending camera-based digital imagery with handmade, camera-less prints results in uniquely individual works of art, each crafted with intention beyond a single technique or process. Using ICM (Intentional Camera Movement) and Multiple Exposure ICM (ME ICM) images, then layering and merging them with cyanotype prints made on paper with non-toxic chemicals and UV light unlocks a vast range of artistic possibilities.

Stephanie Johnson, known for her prolific ICM and ME ICM work, is continuously expanding her creative boundaries. One way she does this is by harnessing the sun and UV light to create camera-less prints and blending them with her camera-based ICM and ME ICM imagery. In this five-week online workshop, she shares her techniques for uniting the digital and analog worlds to craft exciting new imagery.

The workshop starts with foundational instruction on creating dry and wet cyanotype prints, an overview of ICM and ME ICM, and Photoshop demonstrations for layering and blending. Stephanie also explores the history of cyanotypes, showcases current artists’ work for inspiration, and offers tips for moving beyond traditional indigo and white cyanotypes.

Each weekly session builds on these techniques, supporting creative exploration through assignments designed for hands-on practice. Students share their progress and discuss their experiences each week. While a basic overview of ICM is included, students are expected to have prior experience, as this is not an introductory ICM or ME ICM course.

Students should be able to digitize their cyanotype prints, either by scanning or photographing them. Blending and layering is done in Adobe Photoshop, though these techniques apply to various post-processing tools.

Stephanie, a passionate advocate for encouraging others to find their creative vision, invites you to explore new possibilities in your art by blending ICM and cyanotypes in this unique, engaging workshop.