Online

The Poetry of Abstraction

with Susan Burnstine

Online registration for this program has closed. To check availability, find out about future dates, or if you would like further information, please call 505-983-1400 ext. 111. Also, get the SFW E-Newsletter for updates!

Sign-up for the Newsletter:

Course Description

Viewing the world indirectly offers us a golden opportunity to express ideas and emotions in ways that move beyond the usual representations of a subject. Whether our inspiration takes root in grand landscapes or the smallest of microscopic organisms, the possibilities are endless when we examine the world from different perspectives.

This online workshop with Susan Burnstine gives participants the skills to identify key abstract elements and skills to create compositions that bear little or no resemblance to the subject at hand. As we explore how metaphor relates to nonfigurative images, we effectively uncover the best approaches for realizing our personal visions, delving into techniques such as selective focus, multiple exposure, reflection, intentional camera movement, light and shadow, and context.

We discover innovative ways to reimagine the world around us through real-time presentations, group critiques, portfolio reviews, and weekly assignments that can be completed anywhere—your home, your backyard, your street, your city, a local park, a nature walk, or any place that sparks inspiration.

By the end of four weeks, your mind has expanded and you feel confident creating abstract images that reach beyond conventional graphic form to achieve distinctive poetic representation.

Additional Information

WHO SHOULD ATTEND:
Amateurs, Advanced Amateurs
What You Should Know:

Participants must be able to select and organize images using image editing software for class sessions.

Policies:

View Cancellation and Transfer Policies for online programs.

Recording class sessions using personal devices or third-party tools is not permitted. Session recordings are provided by Santa Fe Workshops and are available to enrolled students for two months after the class. This policy helps protect the intellectual property and privacy of both instructors and students.

For workshops with Susan Burnstine, recordings of the image critiques are posted privately following each class session. Santa Fe Workshops takes the recordings down two months after the final session to protect the intellectual property of our instructors.
about
Susan Burnstine

Susan Burnstine is an award-winning professional fine art and commercial photographer who builds homemade cameras and lenses using plastic, vintage camera parts, and random household objects. She’s represented in galleries across the world and widely published globally. 

She has had over 35 solo exhibits internationally, her work is held in numerous museums and private collections, and she has had two award-winning monographs, Within Shadows (Charta, 2011) and Absence of Being(Damiani Editore, 2016). Susan teaches workshops internationally, has curated over 30 exhibitions, and has written for several photography magazines, including a longstanding monthly column titled “American Connection” for Black & White Photography Magazine (UK).

A popular workshop instructor, Susan is also part of our Mentorship Program »

Get to know Susan in our Inspiration Series video »

Website: susanburnstine.com

Instagram: @susanburnstine

The Poetry of Abstraction

September 4 – 25, 2026

You May Also Like

A Natural Eye: The Expressive Landscape—Big Sur, California

with Eddie Soloway

December 1 – 6, 2026

Sketchbook Practices for Photographers

with Kelly Lee Webeck

January 16 – February 20, 2027

Serving as Witness to Your Life: A Photographic Practice

with Ibarionex Perello

February 4 – February 25, 2027

Silver and Gold Leaf Photography

with Marcy Palmer

January 12 - February 2, 2027

The Black-and-White Image

with Carlan Tapp

November 7 – December 2, 2026

The Language of Polaroid: Exploring Your Creative Potential

with Jari Poulin

October 6 – November 10, 2026

Photoshop Compositing: A Garden of Delights

with Ryn Clarke

January 11 – 28, 2027

The Expressive Lens

with Renee Lynn

January 12 – February 2, 2027

Making Digital Negatives and Cyanotypes

with Cotton Miller

January 6 – 27, 2027

Editing with Intention

with Don Werthmann

January 9 – 30, 2027

ICM and Cyanotypes: Blending Digital and Analog Processes

with Stephanie Johnson

November 17 – December 15, 2026

Emotions and the Ephemeral World of Florals

with Leanne Trivett S.

January 20 – February 17, 2027

Creative Collage: Techniques for Visual Storytelling

with Sarah Hadley

January 6 – 27, 2027

Developing a Creative Body of Work with AI

with Ann Cutting

November 3 – December 8, 2026

Wabi-Sabi: The Japanese Approach to Design and Aesthetics

with Richard Martin

December 1 – 11, 2026

The Visual Language of Image Sequencing

with Drew Leventhal

October 3 – 24, 2026