Online

Exploring Collage: Digital and Traditional Practice

with Natalie Krick

Online registration for this program has closed. To check availability, find out about future dates, or if you would like further information, please call 505-983-1400 ext. 111. Also, get the SFW E-Newsletter for updates!

Sign-up for the Newsletter:

Course Description

Collage is more than a visual remix—it’s a method of reclaiming images, reframing context, and revealing new meaning. By cutting, combining, and reworking found photographs, artists challenge photographic history, disrupt established frameworks, and reshape the way we see the world.

In this new five-session online workshop, photographer and artist Natalie Krick examines the relationship between photography and collage. The course explores how manipulating archival and found photographs can shift visual culture and open up space for critical commentary. Through a series of assignments, you work with both analog and digital techniques—including cut-and-paste collage, in-camera image manipulation, and digital montage in Adobe Photoshop.

As the workshop progresses, you begin to merge digital and physical techniques, uncovering how meaning transforms when images move between mediums. The workshop includes readings, image reviews, and conversations around appropriation, authorship, and the power of subversion. You build a personal image archive and study the work of contemporary artists who use collage as a radical form of storytelling.

This workshop centers on experimentation, image-making, and thoughtful dialogue, offering new tools for artists looking to break apart and reconstruct the visual language around them.

Additional Information

WHO SHOULD ATTEND:
Advanced Amateurs, Professionals
What You Should Know:

Working knowledge of Adobe Photoshop is required for this course. Participants should also be proficient in digital workflow, manual mode on your camera, and be able to download and select images using image editing software for class sessions.

For full participation in class assignments, participants should have access to cut and paste photo materials (magazines, newspapers, books), basic cutting tools (scissors or X-acto knives) and adhesive (glue sticks are recommended). A full list of suggested materials will be sent prior to the course.

Policies:

View Withdrawal and Transfer Policies for online programs.

For the convenience of participants, recordings of each class session are posted privately for one month after the end of each session. Santa Fe Workshops takes the recordings down after one month to protect the intellectual property of our instructors.

Categories
Creative Vision, Digital Workflow, Fine Art, Mixed Media, Multimedia, One-of-a-Kind
about
Natalie Krick

Natalie Krick is a Seattle-based interdisciplinary artist whose work investigates the medium of photography, visual perception, and pleasure through a feminist lens. She holds a BFA from the School of Visual Arts and an MFA from Columbia College Chicago. In 2017, her first monograph, Natural Deceptions, was published by Skylark Editions, and Natalie was awarded the Aperture Portfolio Prize. Natalie’s work has recently been exhibited at The Frye Art Museum, LACMA, Silver Eye Center for Photography, SF Camerawork, The Museum of Contemporary Photography, and Aperture Foundation.

Exploring Collage: Digital and Traditional Practice

August 20 – September 17, 2025

You May Also Like

Photographic Haiku

with M. H. Rubin

January 6 – 23, 2026

A Natural Eye: The Expressive Landscape—Big Sur, California

with Eddie Soloway

December 2 – 7, 2025

In Nature’s Embrace

with Xuan-Hui Ng

November 5 – 19, 2025

The Creative Alchemy of Fine-Art Photography

with Thibault Roland

November 6 – December 11, 2025

Silver and Gold Leaf Photography

with Marcy Palmer

April 7 – 28, 2026

The Creative World of ME ICM

with Stephanie Johnson

November 12 – December 17, 2025

The Language of Polaroid: Exploring Your Creative Potential

with Jari Poulin

February 5 – March 12, 2026

Get Seen: Submitting Your Work to Competitions, Festivals, and Galleries

with Sonia Goydenko

November 15 and 22, 2025

Photoshop Compositing: A Garden of Delights

with Ryn Clarke

January 5 – 22, 2026

The Expressive Lens

with Renee Lynn

January 5 – 26, 2026

Making Digital Negatives and Cyanotypes

with Cotton Miller

November 12 – December 10, 2025

Introduction to Video Storytelling for Photographers

with Marco Serventi

February 4 – March 11, 2026

Introduction to Digital Photography and Adobe Lightroom Classic

with Will Van Beckum

February 28 – April 4, 2026

Emotions and the Ephemeral World of Florals

with Leanne Trivett S.

January 14 – February 11, 2026

Creative Collage: Techniques for Visual Storytelling

with Sarah Hadley

January 13 – February 3, 2026

Urban Impressions: A New Way of Seeing

with Pedro Correa

March 11 – 30, 2026