Online

Why Aren’t You Taking the Photographs You Want to Take?

with Thomas Werner

January 30 – February 13, 2027

Saturdays; 12:00 – 2:00 pm (Mountain Time)
  • Tuition $395.00

Course Description

You may already know how to make a good photograph. That may not be the problem. The harder question is why you aren’t making the photographs you really want to make.

In this new online workshop with photographer, educator, curator, and author Thomas Werner, we look at what gets in the way of making the work we really want to make.

Even when starting out, most photographers reach a point where technical ability is no longer enough. We repeat what has worked before, imitate work that we love, or become too conscious of our audience. We wait for inspiration. We abandon projects too quickly or continue them long after they have stopped being interesting. We spend time becoming good at making photographs we no longer want to make.

Whether an amateur photographer or advanced, this workshop is about identifying what is getting in the way.

Beginning with your current work and drawing from the philosophy and process put forward in the book Twenty One Summers, we examine the distance between the photographs you are making and the photographs you want to make. We look at intention, habits, influences, comfort, ambition, editing, audience, and the decisions—conscious and unconscious—that shape your photographic practice. The objective is not simply to make better photographs. It is to become more deliberate about what you photograph, why you photograph it, and what you want the work to become.

Over three sessions, we examine your existing work, identify patterns and obstacles in your creative process, develop or reconsider project ideas, make new photographs between sessions, and return to the group to evaluate what changed and what didn’t.

You may arrive with an existing project, a new idea, or simply a sense that something in your work needs to change. You do not need to know the answer before the workshop. Sometimes, finding the right question is where the work begins.

Additional Information

WHO SHOULD ATTEND:
Amateurs, Advanced Amateurs, Professionals
What You Should Know:

Participants are expected to make photographs between sessions and must be technically self-sufficient with their camera and editing software. This is not a portfolio review or a workshop focused on learning how to use your gear or editing software. Participants must be able to download, select, and submit images for each class session. The focus is on examining your practice, questioning the choices behind your work, and doing the work necessary to move it in a new direction.

Special Notes:

Class will meet 12:00 – 2:00 pm (Mountain Time) on Saturdays starting January 30 and ending February 13 (three online group sessions). Enrollment is limited to 15 participants.

Zoom Video Conferencing software (available for no charge from Zoom.com) will be used to facilitate the class sessions. Further details will be emailed to registrants.

These live online sessions take place in the standard Zoom meeting format. Students can use their microphone and camera, see and hear the instructor and other students, and participate in live discussion and interaction throughout the sessions.

Santa Fe Workshops always aims to produce a high-quality experience for our online attendees. That said, variables including regional and local internet provider speeds, traffic on Zoom's servers, and your own computing hardware can contribute to a less-than-ideal streaming event. While we do our best to minimize the impact of these variables, they are outside the control of Santa Fe Workshops.

Policies:

View Cancellation and Transfer Policies for online programs.

Recording class sessions using personal devices or third-party tools is not permitted. Session recordings are provided by Santa Fe Workshops and are available to enrolled students for two months after the class. This policy helps protect the intellectual property and privacy of both instructors and students.

about
Thomas Werner

Thomas Werner is the author of the books The Business of Fine Art Photography, Routledge, New York; The Fashion Image for Bloomsbury Publishing, London; and Twenty One Summers, co-authored with former Microsoft Search and AI team leader Derrick Connell. He is also an Editor at Large for IRKmagazine, a Paris-based print publication and website, Board Member for the Santa Fe CENTER for Photographic Art, Founder of Chasing Beauty Publishing, and past Photography Program Director at Parsons School of Design in New York. He is the former owner of Thomas Werner Gallery in Manhattan’s Chelsea Art District and has worked with the United Nations Education First Summer School and the United Nations Alliance of Civilizations/UNESCO, among others.

You May Also Like

A Natural Eye: The Expressive Landscape—Big Sur, California

with Eddie Soloway

December 1 – 6, 2026

Festival Time in San Miguel de Allende

with Nevada Wier

October 1 – 5, 2026

Day of the Dead in Oaxaca

with Marcela Taboada

October 29 – November 3, 2026

Sketchbook Practices for Photographers

with Kelly Lee Webeck

January 16 – February 20, 2027

Serving as Witness to Your Life: A Photographic Practice

with Ibarionex Perello

February 4 – February 25, 2027

Silver and Gold Leaf Photography

with Marcy Palmer

January 12 - February 2, 2027

The Black-and-White Image

with Carlan Tapp

November 7 – December 2, 2026

The Language of Polaroid: Exploring Your Creative Potential

with Jari Poulin

October 6 – November 10, 2026

Photoshop Compositing: A Garden of Delights

with Ryn Clarke

January 11 – 28, 2027

The Expressive Lens

with Renee Lynn

January 12 – February 2, 2027

Introduction to Video Storytelling for Photographers

with Marco Serventi

February 3 – March 10, 2027

Editing with Intention

with Don Werthmann

January 9 – 30, 2027

ICM and Cyanotypes: Blending Digital and Analog Processes

with Stephanie Johnson

November 17 – December 15, 2026

Emotions and the Ephemeral World of Florals

with Leanne Trivett S.

January 20 – February 17, 2027

Creative Collage: Techniques for Visual Storytelling

with Sarah Hadley

January 6 – 27, 2027

Developing a Creative Body of Work with AI

with Ann Cutting

November 3 – December 8, 2026