© Letha Wilson
Online

Sculptural Experiments with Photography

with Letha Wilson

February 16 – March 16, 2027

Tuesdays; 9:30 – 11:30 am (Mountain Time)
  • Tuition $595.00

Course Description

A photograph doesn’t have to stay flat. In this new online course, artist Letha Wilson looks at what happens when photographs are cut, folded, layered, built up, and pulled into physical space, transforming a photograph into a three-dimensional object. Images become material to work with. They can take shape, cast a shadow, bend around a corner, or become part of a larger form.

Over five sessions, Letha introduces a range of ways to work with photographic images as sculpture, from layering and mounting prints to building forms and experimenting with photo transfers made with an inkjet printer. You work directly with your images, trying out different ways to cut, fold, attach, combine, and transform them. Along the way, there is plenty of room for things to go slightly wrong and for those surprises to lead somewhere interesting. The workshop also looks at how different papers, surfaces, and materials behave and how to troubleshoot the practical challenges that come with making photographic objects.

The physicality of the work becomes part of the conversation. You consider how a piece changes when it moves off the wall, how a photograph interacts with its surroundings, and how scale, structure, and materials affect the way an image is experienced. Letha also covers practical approaches to presenting the work, including cleat systems and other hanging methods for wall pieces, as well as considerations for freestanding sculpture.

This is an opportunity to loosen the idea of what a photograph can be. Bring images you’re already working with, make new ones, or simply start experimenting with materials and see where they lead. Through cutting, folding, layering, building, and rethinking the photograph as an object, you find new ways to give a photograph dimension and a life beyond the two-dimensional.

Additional Information

WHO SHOULD ATTEND:
All are welcome
What You Should Know:

Students will receive a materials list once the course is officially confirmed. Students will also need access to an inkjet printer, either at home or through a local print shop such as Office Depot.

Participants should be comfortable working independently with their equipment and editing software. This course does not cover the basics of using your camera, computer, or editing programs. You should also be able to download, select, and submit images for class each day.

Special Notes:

Class will meet 9:30 – 11:30 am (Mountain Time) on Tuesdays starting February 16 and ending March 16 (five online group sessions). Enrollment is limited to 12 participants.

Zoom Video Conferencing software (available for no charge from Zoom.com) will be used to facilitate the class sessions. Further details will be emailed to registrants.

These live online sessions take place in the standard Zoom meeting format. Students can use their microphone and camera, see and hear the instructor and other students, and participate in live discussion and interaction throughout the sessions.

Santa Fe Workshops always aims to produce a high-quality experience for our online attendees. That said, variables including regional and local internet provider speeds, traffic on Zoom's servers, and your own computing hardware can contribute to a less-than-ideal streaming event. While we do our best to minimize the impact of these variables, they are outside the control of Santa Fe Workshops.

Policies:

View Cancellation and Transfer Policies for online programs.

Recording class sessions using personal devices or third-party tools is not permitted. Session recordings are provided by Santa Fe Workshops and are available to enrolled students for two months after the class. This policy helps protect the intellectual property and privacy of both instructors and students.

© Willy Wilson
about
Letha Wilson

Letha Wilson’s childhood in Colorado continues to influence her work, which brings together landscape photography and sculpture through an ongoing exploration of materials and form. She embeds photographs of natural landscapes into sculptural works, creating unexpected combinations of weight and lightness, density and play. The natural world remains both the subject and inspiration for her work.

Born in Hawaii and raised in Greeley, Colorado, Letha now works in Taghkanic and Brooklyn, New York. She holds a BFA from Syracuse University and an MFA from Hunter College, and attended the Skowhegan School of Painting and Sculpture. Her work has been exhibited at institutions including Mass MoCA, deCordova Sculpture Park and Museum, The Aldrich Contemporary Art Museum, and the Columbus Museum of Art. Her work has been featured in Artforum, The New York Times, The New Yorker, and Artsy. In 2024, her first institutional solo exhibition, Cut, Bend, Burn, was presented at the Center for Maine Contemporary Art.

Website: lethaprojects.com

Instagram: @Letha.Wilson

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