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This workshop focuses on transforming photographs and film you already have rather than creating new darkroom prints. Before the workshop begins, you receive a materials list and guidance for setting up a safe workspace at home. You bring your own silver gelatin prints and/or black-and-white film to use as the foundation for your mordançage experiments. While a traditional darkroom is not required, the process uses hazardous chemicals, so you follow recommended safety practices, including proper ventilation, the use of appropriate protective equipment, and the safe, responsible disposal of photographic chemicals and materials.
In the first session, Ella introduces the mordançage process through pre-recorded demonstrations, images, and instructional materials. She walks you through the bleaching, developing, and emulsion manipulation techniques used to create the distinctive effects associated with this process, while explaining how variations in chemistry and timing influence the final image.
Throughout the workshop, you apply mordançage to your own photographs or film and bring works-in-progress to class for feedback. Through demonstrations, assignments, and discussions, you continue refining your technique while experimenting with different approaches to image transformation. Ella also shares her creative process and discusses how this historic technique continues to find new life within the ongoing “analog resurgence” in contemporary fine art photography.
By the end of the four sessions, you have a deeper understanding of the mordançage process, hands-on experience working with photographic materials, and the confidence to continue incorporating this unique analog technique into your own practice.
Ella’s experimental approach to analog processes has earned her international recognition, with exhibitions across Europe and North America. Her deep knowledge of alternative photographic techniques, combined with her artistic vision, makes her an ideal guide for understanding the nuances of mordançage and discovering new creative directions in your own work.
A darkroom is not required for this workshop. Students should have completed silver gelatin prints and/or black-and-white film available to use during the course, as the mordançage process is applied to existing photographic materials rather than creating new prints. Students will purchase and mix a simple chemical solution.
Safety information, mixing instructions, recommended suppliers, and a complete materials list will be provided once the course is confirmed.
Class will meet 9:30 – 11:30 am (Mountain Time) on Thursdays starting November 5 and ending December 3; no class on November 26 (four online group sessions). Enrollment is limited to 12 participants.
Zoom Video Conferencing software (available for no charge from Zoom.com) will be used to facilitate the class sessions. Further details will be emailed to registrants.
These live online sessions take place in the standard Zoom meeting format. Students can use their microphone and camera, see and hear the instructor and other students, and participate in live discussion and interaction throughout the sessions.
Santa Fe Workshops always aims to produce a high-quality experience for our online attendees. That said, variables including regional and local internet provider speeds, traffic on Zoom's servers, and your own computing hardware can contribute to a less-than-ideal streaming event. While we do our best to minimize the impact of these variables, they are outside the control of Santa Fe Workshops.
View Cancellation and Transfer Policies for online programs.
Recording class sessions using personal devices or third-party tools is not permitted. Session recordings are provided by Santa Fe Workshops and are available to enrolled students for two months after the class. This policy helps protect the intellectual property and privacy of both instructors and students.
Ella Morton is a Canadian visual artist and filmmaker based between Toronto, Canada, and Marseille, France. Her expedition-based practice takes her to remote landscapes across Canada, Scandinavia, Latin America, Australia, Greenland, and Antarctica. Working primarily with experimental analogue processes, she captures the fragile beauty of these environments.
Ella holds a BFA from Parsons School of Design (New York) and an MFA from York University (Toronto). Her work has been exhibited internationally, with screenings at major film festivals like the Vancouver International Film Festival and the International Film Festival Rotterdam. In 2021, her project The Dissolving Landscape won the Environmental Award at Review Santa Fe, and in 2025, her project The Residue of Starlight won the Grand Prize at the Rotlicht Festival in Vienna. Her work has been featured in publications such as NPR Picture Show, Lenscratch, Analog Forever Magazine, and the British Journal of Photography. Ella’s practice is supported by the Canada Council for the Arts, Ontario Arts Council, and the National Film Board of Canada.
Website: ellamorton.com
Instagram: @Ellasharpmorton