Online registration for this program has closed. To check availability, find out about future dates, or if you would like further information, please call 505-983-1400 ext. 111. Also, get the SFW E-Newsletter for updates!















Accurate documentation of your creative work is an essential but often overlooked part of an artist’s practice. Whether your work lives on paper, canvas, fabric, metal, or in three dimensions, the quality of its photographic reproduction shapes how it is seen, shared, archived, and understood.
This new online program led by Cotton Miller focuses on using the iPhone as a precise, flexible tool for art reproduction photography. Rather than treating your mobile device as a compromise, we approach using an iPhone as a capable camera when paired with careful positioning, controlled lighting, and intentional workflow decisions. Over two group sessions, you learn how to photograph artwork with correct geometry, balanced illumination, and faithful color, producing files suitable for websites, portfolios, grants, publications, video, and print.
Cotton’s course is designed for visual artists needing reliable images of their work, students preparing portfolios or applications, makers and designers selling work online, artists without access to a DSLR or studio lighting, and anyone wanting a simple, professional capture workflow using an iPhone.
Session 1 — Capture Techniques
We begin with the foundations of making a clean reproduction image using only your iPhone:
Session 2 — Editing + Preparing Files for Use
In this session, we move from capture to polished, professional output:
By the end of this program, you are able to photograph your artwork with consistent, professional results, avoid the most common reproduction mistakes, produce color-accurate files for print and online platforms, build a personal workflow you can use for an entire body of work, and feel confident documenting your art without specialized gear.
Participants need an iPhone (any recent model from a 13 onwards), although older models also work with limitations; a few pieces of artwork to photograph; good natural window light or inexpensive LED lights; optional but recommended: a small tripod or phone stand, iPhone tripod mount, Color Calibration Card.
View Withdrawal and Transfer Policies for online programs.
Cotton Miller received his MFA in Photography & New Media in 2013 from Lesley University College of Art and Design, in Boston. In addition to being honored by The Boston Globe as one of six artists to watch in 2013, he had multiple exhibits in Boston and has won awards from the Society of Professional Journalists and the Texas Intercollegiate Press Association in 2007. Cotton has also assisted with projects for Time Magazine, ESPN Magazine, Athleta, and Highsnobiety.
Cotton is the Web Manager for Santa Fe Workshops and does web and exhibition consultation projects for a variety of artists, and is Adjunct Faculty for the Glassell School of Art at the Museum of Fine Arts – Houston. He has designed websites for Nevada Wier, Christopher James, Alison Wright, Elizabeth Opalenik, and Santa Fe Workshops. Cotton’s personal work combines traditional printing methods with digital, alternative process, mixed media, and multimedia. He worked as a master printer for Blazing Editions in Providence and Cotton was a research assistant for The Book of Alternative Photographic Processes (third edition) by Christopher James. Cotton collaborates with many artists for not only web design, but also digital retouching, graphic design, exhibition design, exhibition production, and printing fine art editions.
Website: cottonmiller.com
Instagram: @cottonmiller