Bend the rules and try new things with Alternative Processes. There are just as many ways to create an image as there are images to create. Don’t let yourself get stuck in a creative rut. Experimenting with different cameras and printing methods is a great way to give your imagination a kickstart.
This hands-on, three-day workshop in Santa Fe is intended for anyone who wishes to embrace a strong understanding of the origins, technicalities, and many forms of pinhole photography or is drawn towards the methodical nature of analog techniques.
Visual artist and photographer Daura Campos leads you through Film Soup, a process that physically alters undeveloped photographic film using common household ingredients, along with learning how to prepare and shoot film specifically for this process.
Explore and experiment with ways to leverage your photographic images for fresh, unexpected results in this new online workshop led by photographer and mixed media artist Maura Allen
Join artist Vanessa Marsh in exploring the practical side of lumen printing—processing images, gauging light intensity, and selecting the right paper as well as experimenting with exposure times and multiple exposures.
Join Morgan Ford Willingham as she guides students through the required setup necessary to create cyanotype prints on fabric, using several different surfaces to push the boundaries, generating alluring handmade alternative images.
Explore mordançage’s transformative effects on both black-and-white and color prints and film, while also examining its role in the ongoing “analog resurgence” with Canadian visual artist and filmmaker Ella Morton.
Over the course of three days in Los Angeles, participants join renowned printmaker Mohan Bhasker on a creative journey to master the gum bichromate process, working in Mohan’s studio and darkroom, you have the unique opportunity to benefit from hands-on demonstrations, guidance, and feedback.
This new online workshop, led by instructor Anne Eder, participants work with salted papers and silver nitrate, creating images through this “photogenic drawing” technique.
Join Liz Potter for this immersive week together in Santa Fe dedicated to literally stretching and remixing your understanding of the photographic image and its creative potential.
Stephanie Johnson shares her techniques for uniting the digital and analog worlds using ICM (Intentional Camera Movement) and Multiple Exposure ICM (ME ICM) images, then layering and merging them with cyanotype prints made on paper with non-toxic chemicals and UV light.
