Mordançage is an obscure and striking darkroom technique developed in the 1970s by French photographer Jean-Pierre Sudre, evolving from the 19th-century bleach etching process. In this two-session online seminar, Canadian visual artist and filmmaker Ella Morton guides participants through the core principles of mordançage. She explores its transformative effects on both black-and-white and color prints and film, while also examining its role in the ongoing “analog resurgence” within contemporary fine art photography.
During the first session, Ella demonstrates the most common application of mordançage on black-and-white silver gelatin prints. She covers the chemistry, bleaching, and developing steps, and shows techniques for manipulating the emulsion to create veils and textures. During the second session, the focus shifts to applying mordançage to color negative film, where Ella demonstrates unique development techniques and expanded methods specific to working with color.
Both sessions feature prerecorded demonstrations, recorded by Ella at Gallery 44, a community darkroom in Toronto. These recordings allow for a detailed view of the process, with Ella also showing prints and negatives live during the Zoom sessions. Questions are welcome throughout, and by the end of the seminar, everyone has a refined understanding of the mordançage process, along with the skills to experiment with it in their own projects.
Ella’s experimental approach to analog processes has earned her international recognition, with exhibitions across Europe and North America. Her deep knowledge of analog techniques, combined with her artistic vision, makes her the perfect guide to help you explore the nuances of mordançage and discover new creative possibilities in your own work.
Class will meet 5:00 – 7:00 pm (Mountain Time) on Tuesday, October 21, and Thursday, October 23 (two online group sessions).
Zoom Video Conferencing software (available for no charge from Zoom.com) will be used to facilitate the class sessions. Further details will be emailed to registrants.
Santa Fe Workshops always aims to produce a high-quality experience for our online attendees. That said, variables including regional and local internet provider speeds, traffic on Zoom's servers, and your own computing hardware can contribute to a less than ideal streaming event. While we do our best to minimize the impact of these variables, they are outside the control of Santa Fe Workshops.
View Withdrawal and Transfer Policies for online programs.
For the convenience of participants, recordings of each class session are posted privately for one month after the end of each session. Santa Fe Workshops takes the recordings down after one month to protect the intellectual property of our instructors.
Ella Morton is a Canadian visual artist and filmmaker based in Toronto. Her expedition-based practice takes her to remote landscapes across Canada, Scandinavia, Latin America, Greenland, and Antarctica. Working primarily with experimental analogue processes, she captures the fragile beauty of these environments.
Ella holds a BFA from Parsons School of Design (New York) and an MFA from York University (Toronto). Her work has been exhibited internationally, with screenings at major film festivals like the Vancouver International Film Festival and International Film Festival Rotterdam. In 2021, her project The Dissolving Landscape won the Environmental Award at Review Santa Fe. Her work has been featured in publications such as NPR Picture Show, Lenscratch, Analog Forever Magazine, and the British Journal of Photography. Ella’s practice is supported by the Canada Council for the Arts, Ontario Arts Council, and the National Film Board of Canada.
Website: ellamorton.com
Instagram: @Ellasharpmorton