Perspectives

The Complete Guide to Mordançage: From Black and White to Color

with Ella Morton

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Course Description

Mordançage is an obscure and striking darkroom technique developed in the 1970s by French photographer Jean-Pierre Sudre, evolving from the 19th-century bleach etching process. In this two-session online seminar, Canadian visual artist and filmmaker Ella Morton guides participants through the core principles of mordançage. She explores its transformative effects on both black-and-white and color prints and film, while also examining its role in the ongoing “analog resurgence” within contemporary fine art photography.

During the first session, Ella demonstrates the most common application of mordançage on black-and-white silver gelatin prints. She covers the chemistry, bleaching, and developing steps, and shows techniques for manipulating the emulsion to create veils and textures. During the second session, the focus shifts to applying mordançage to color negative film, where Ella demonstrates unique development techniques and expanded methods specific to working with color. 

Both sessions feature prerecorded demonstrations, recorded by Ella at Gallery 44, a community darkroom in Toronto. These recordings allow for a detailed view of the process, with Ella also showing prints and negatives live during the Zoom sessions. Questions are welcome throughout, and by the end of the seminar, everyone has a refined understanding of the mordançage process, along with the skills to experiment with it in their own projects.

Ella’s experimental approach to analog processes has earned her international recognition, with exhibitions across Europe and North America. Her deep knowledge of analog techniques, combined with her artistic vision, makes her the perfect guide to help you explore the nuances of mordançage and discover new creative possibilities in your own work.

Additional Information

WHO SHOULD ATTEND:
All are welcome
Policies:

View Cancellation and Transfer Policies for online programs.

Recording class sessions using personal devices or third-party tools is not permitted. Session recordings are provided by Santa Fe Workshops and are available to enrolled students for two months after the class. This policy helps protect the intellectual property and privacy of both instructors and students.

about
Ella Morton

Ella Morton is a Canadian visual artist and filmmaker based between Toronto, Canada, and Marseille, France. Her expedition-based practice takes her to remote landscapes across Canada, Scandinavia, Latin America, Australia, Greenland, and Antarctica. Working primarily with experimental analogue processes, she captures the fragile beauty of these environments.

Ella holds a BFA from Parsons School of Design (New York) and an MFA from York University (Toronto). Her work has been exhibited internationally, with screenings at major film festivals like the Vancouver International Film Festival and the International Film Festival Rotterdam. In 2021, her project The Dissolving Landscape won the Environmental Award at Review Santa Fe, and in 2025, her project The Residue of Starlight won the Grand Prize at the Rotlicht Festival in Vienna. Her work has been featured in publications such as NPR Picture Show, Lenscratch, Analog Forever Magazine, and the British Journal of Photography. Ella’s practice is supported by the Canada Council for the Arts, Ontario Arts Council, and the National Film Board of Canada.

Website: ellamorton.com

Instagram: @Ellasharpmorton

The Complete Guide to Mordançage: From Black and White to Color

October 21 and 23, 2025

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