On Location
Santa Fe

Wet Plate Collodion

with Cotton Miller

Online registration for this program has closed. To check availability, find out about future dates, or if you would like further information, please call 505-983-1400 ext. 111. Also, get the SFW E-Newsletter for updates!

Sign-up for the Newsletter:

Course Description

Englishman Frederick Scott Archer was credited with inventing the wet-collodion process in 1851. Today, there is a world-wide revival of this beautiful historic technique. Wet-plate collodion enhances the textural and painterly effects of photography to create images that are simultaneously real and dreamlike. A contemporary master of this alternative photographic process, Cotton Miller, leads this dynamic, hands-on workshop in Santa Fe.

Cotton begins the week with a historical overview of wet plate and then step-by-step demonstrations of the process, paying special attention to maintaining proper chemistry and safety as we work. Throughout, participants are given the chance to create both tintypes on aluminum and ambrotypes on glass, use natural and studio lighting, and experience a mobile setup for taking wet-plate collodion on the road.

This workshop offers photographic artists the opportunity to learn the beauty and complexity of the historical wet-plate collodion process from a contemporary perspective. The week is spent in the Workshops Alt-Pro Lab where chemistry, tanks, plates, and several antique cameras are provided. Participants receive continual assistance from Cotton and an assistant providing immediate feedback on works in progress, along with an open exchange of working concepts, ideas, history, and techniques. Demonstrations, and learning through repetition, successes, and failure, are a continuous part of the workshop. 

Wet-Plate Collodion is alive and well in Santa Fe. Come and be part of our Alt-Pro community and this emergent revival. 

Additional Information

WHO SHOULD ATTEND:
Amateurs, Advanced Amateurs, Professionals
Activity Level:
To get the most from your workshop experience, participants should be in good physical (mobility, stamina) and mental health. Come prepared for the high elevation of Santa Fe, long days, and seasonal weather. You must be able to carry your own photographic and personal gear at all times, both on campus and on location. You are responsible for being open and honest about your physical fitness, and we reserve the right to remove you from the workshop if we find your fitness to be less than that which you have described.
Policies:
© Cotton Miller
about
Cotton Miller

Cotton Miller received his MFA in Photography & New Media in 2013 from Lesley University College of Art and Design, in Boston. In addition to being honored by The Boston Globe as one of six artists to watch in 2013, he had multiple exhibits in Boston and has won awards from the Society of Professional Journalists and the Texas Intercollegiate Press Association in 2007. Cotton has also assisted with projects for Time Magazine, ESPN Magazine, Athleta, and Highsnobiety.

Cotton is the Web Manager for Santa Fe Workshops and does web and exhibition consultation projects for a variety of artists, and is Adjunct Faculty for the Glassell School of Art at the Museum of Fine Arts – Houston. He has designed websites for Nevada Wier, Christopher James, Alison Wright, Elizabeth Opalenik, and Santa Fe Workshops. Cotton’s personal work combines traditional printing methods with digital, alternative process, mixed media, and multimedia. He worked as a master printer for Blazing Editions in Providence and Cotton was a research assistant for The Book of Alternative Photographic Processes (third edition) by Christopher James. Cotton collaborates with many artists for not only web design, but also digital retouching, graphic design, exhibition design, exhibition production, and printing fine art editions.

Website: cottonmiller.com

Instagram: @cottonmiller

Upcoming programs with Cotton Miller
Fundamentals of Digital Printing
with Cotton Miller
Making Digital Negatives and Cyanotypes
with Cotton Miller
The Fine-Art Digital Print
with Cotton Miller

Gorman on Gorman: Five Decades

November 17 - 19, 2020

Finding Your Voice

December 15 – 17, 2020

Wild Stories: The Perilous Art of Adventure Writing

December 1 – 4, 2020

Color, Light, and Design

January 4 - 21, 2021

Categories
Alternative Process, Fine Art, One-of-a-Kind

You May Also Like

– Summer Season

Architectural Photography: Beauty and Structure

with Nick Merrick

July 13 – 17, 2026

How to Talk and Write About Your Work

with Jean Miele

April 10 – May 8, 2026
– Summer Season

The Hand-Colored Photographic Print

with Kate Breakey

July 13 – 17, 2026

Theatre of Botanicals

with Leanne Trivett S.

April 6 – 23, 2026

Festival Time in San Miguel de Allende

with Nevada Wier

October 1 – 5, 2026
– Summer Season

The Language of Black and White

with Cira Crowell

June 22 – 26, 2026

iPhone Artistry

with Dan Burkholder

February 9 – 26, 2026

Day of the Dead in Oaxaca

with Marcela Taboada

October 29 – November 3, 2026
– Summer Season

The Fine-Art Digital Print

with Cotton Miller

June 29 – July 3, 2026

Silver and Gold Leaf Photography

with Marcy Palmer

April 7 – 28, 2026

The Language of Polaroid: Exploring Your Creative Potential

with Jari Poulin

February 5 – March 12, 2026

Scotland: A Journey into Landscape Photography

with Julian Calverley

November 8 – 17, 2026

Making Digital Negatives and Cyanotypes

with Cotton Miller

April 1 – 22, 2026

Introduction to Video Storytelling for Photographers

with Marco Serventi

February 4 – March 11, 2026
– Summer Season

Land as Collaborator: Remixing Digital Prints in the Landscape

with Anna Rotty

June 22 – 26, 2026

Emotions and the Ephemeral World of Florals

with Leanne Trivett S.

June 4 – July 2, 2026