On Location
Santa Fe

The Image Reimagined Using Mixed Media: A Creative Retreat in Santa Fe

with Jill Burkholder, Dan Burkholder, Sandra Carrion & Patricia Beary

November 2 – 6, 2026

Monday – Friday
  • Tuition $2195.00
(includes meal plan, see below)
  • Materials Fee $240.00
  • Standard Deposit $400.00

Course Description

This immersive program provides photographers and other creatives with a dedicated space to explore the endless possibilities of mixed media. Our five-day creative retreat in Santa Fe guides you to reimagine and transform your photographs through a variety of different photographic processes, including cold wax and oil painting, image transfers, and iPhone artistry. 

Designed as a “one-stop” shop, this gathering offers you the unique opportunity to learn from four artistic masters in one week. Each day, you rotate with your cohort to a new instructor, who guides you through the technical and creative considerations of their chosen process. Dan Burkholder, Jill Skupin Burkholder, Sandra Carrion, and Patricia Beary all offer different creative perspectives and push you to harness a new way of thinking. You have the opportunity to see how your work changes and expands under the parameters of each medium. You are called to incorporate new techniques and break boundaries as you manipulate your images along digital and analog parameters alike.

This creative experience is perfect for those seeking to reimagine themselves as a photographic artist, jumpstart their practice in a new direction, and stretch beyond the confines of any singular medium. By engaging with a range of techniques and creative perspectives in five days, you deepen your purpose as an artist and understand the potential of your work that clarifies your mission as a mixed-media photographer and a storyteller.

The week starts with an all-group day on Monday for inspirational presentations from the four instructors, introductions from the students, and the first round of talks on technique and artistic strategies common to all three mixed media disciplines. Tuesday, Wednesday, and Thursday, you rotate with your cohort to spend the entire day with either Jill, Dan, or Sandra & Patricia (see descriptions of these days below). Friday is dedicated to open studio time to work on favorite processes or revisit challenging steps. We end the workshop with a community-wide conversation about key takeaways, creative lessons learned, and a final “ask me anything” session with all instructors.

Your individual sessions with the instructors during the retreat week include:

Photography, Cold Wax, and Oil Painting (1 day)
Jill offers you the opportunity to blend classic painting with contemporary photography through mastery of the cold wax process. Beginning with a photographic inkjet image on paper, you apply color and texture using oil paint and cold wax, a commercially available wax medium that requires no heat, as with traditional encaustic methods. No prior painting experience is needed.

Image Transfers: Migrating Your Photographs onto New Substrates (1 day)
Teaching duo Pat and Sandra introduce you to the expressive world of image transfers—the art of moving digital images onto alternative surfaces such as textured papers, fabric, wood, or metal. Using specialized transfer film and alcohol-based mediums, you reimagine your photographs in fresh, tactile ways. Digital files from smartphones, DSLR cameras, or scans of personal artwork are all ideal starting points. The resulting works often carry a layered, aged, or painterly quality that invites deeper emotional engagement and artistic discovery.

iPhone Artistry: It’s Better Than Ever! (1 day)
In the same way that photographs can be expanded through paint, wax, and physical manipulation, editing on your iPhone unlocks endless opportunities to enhance your images. There is no better person to introduce you to the many creative apps that allow you to add texture, filters, layers, and color adjustments than Dan, master of the darkroom and digital realm alike. The images created during your iPhone explorations can be printed and serve as a jumping-off point for integration into the other processes taught during this Retreat, allowing you to merge digital and analog work together. Similarly, photographs of physical works created with Jill, Patricia, and Sandy can be digitally enriched and reimagined on your iPhone in a session with Dan.

First and foremost, this creative retreat provides an immersive opportunity to reimagine, stretch, and expand upon your images with support from a creative team of world-renowned instructors. Those seeking to master a diverse range of digital and traditional techniques and push photography in new directions are sure to find endless opportunities for creation, experimentation, and play. Join us for a week in Santa Fe to expand your practice to new heights and walk away equipped with true multidisciplinary artistry.

Additional Information

WHO SHOULD ATTEND:

This workshop is open to all photographers and creatives interested in expanding their images in new directions.

What You Should Know:

Participants should come prepared with a collection of images or digital files to work from during this fast-paced learning environment. Please note you will be supported by SFW staff in the printmaking process. Basic computer skills and the ability to edit and download images using editing software are necessary.

No painting or printmaking experience is required for participation. Because of Dan’s session, this workshop is best suited for iPhone users. Familiarity with your iPhone and basic working knowledge of the iPhone camera and Photos app will be beneficial.

Special Notes:

All materials necessary for participation will be provided by Santa Fe Workshops. Information regarding optional materials to bring (i.e., a personal apron, boxes for transporting finished pieces home, etc.) will be provided prior to the workshop.

Activity Level:
To get the most from your workshop experience, participants should be in good physical (mobility, stamina) and mental health. Come prepared for the high elevation of Santa Fe, long days, and seasonal weather. You must be able to carry your own photographic and personal gear at all times, both on campus and on location. You are responsible for being open and honest about your physical fitness, and we reserve the right to remove you from the workshop if we find your fitness to be less than that which you have described.
Accommodations:

Participants are responsible for making their own housing arrangements in Santa Fe. On-campus accommodations are not currently available.

Meals:
Five lunches, one dinner, and daily beverage service are included. All other meals are the responsibility of the participant.
Policies:
about
Jill Skupin Burkholder

Jill Skupin Burkholder is a photographer and artist whose work includes handcrafted techniques like bromoil printing, an alternative photography process using brushes and lithography ink to create an image. Recent work combines photography with cold wax medium and oil paint to achieve painterly, one-of-a-kind art pieces.

Her work is in private collections and permanent collections at The Museum of Fine Art, Houston, Texas, and The Harry Ransom Humanities Center in Austin, Texas. Jill’s prints have been exhibited at SohoPhoto in New York, R&F Handmade Paints Gallery in Kingston, New York, and other galleries and various publications.

Focusing on alternative photography, Jill adapts her photographic imagery to include distinctive textures and a twist of fantasy.

© O Rufus Lovett
about
Dan Burkholder

Dan Burkholder has a long history of looking beyond the photographic horizon to see, explore, teach, and exhibit the next great thing in imaging. His book, iPhone Artistry (Pixiq Press, 2012), is the universe’s most comprehensive and fun how-to book for iPhone photographers. His poignant monograph, The Color of Loss (University of Texas Press, 2008), intimately documented the flooded interiors of post-Katrina New Orleans and is the first coffee-table book shot entirely using HDR (high dynamic range) methods. Dan’s award-winning book, Making Digital Negatives for Contact Printing, has become a standard resource in the fine-art photography community. 

Dan earned his B.A. and master’s degrees in photography from Brooks Institute of Photography in Santa Barbara, California. His platinum/palladium and inkjet prints are included in private and public collections internationally.

about
Sandra Carrion

Sandra Carrion is a fine art photographer celebrated for her inventive, experimental approach to image-making. Her work explores the intersection of chance, process, and perception, transforming ordinary subjects into poetic visual statements. By combining traditional darkroom and alternative techniques with contemporary digital processes, she continually reinvents her perspective to uncover the extraordinary within the everyday.

Deeply engaged in the photographic community, Sandra has made lasting contributions as both an artist and organizer. She is a former Director of Soho Photo Gallery in New York City and the founder of the International Krappy Kamera Competition and Exhibition, which champions the beauty of imperfection and unconventional tools. She is also a founding member of fotofoto Gallery in Huntington and co-founder of the Image Factory Experimental Photography Workshops. As an educator, Sandra has taught Digital and Experimental Photography at Nassau Community College, Adelphi University, and LIU Post, inspiring students to approach photography with curiosity, playfulness, and a spirit of experimentation.

about
Patricia Beary

Patricia Beary is a fine art photographer based in New York. Holding a BFA from Long Island University, she is versed in a variety of art mediums, which strongly influence her photographic style. Her images are painterly and abstract, using innovative techniques that blend camera work, post-processing, and contemporary alternative processes.

Patricia has exhibited in solo and group shows in the US, Italy, Spain, and Japan. Her work has received numerous honors, including the Julia Margaret Cameron Award and the Pollux Award, and has been featured in publications such as Lenswork, All About Photo, and Shadows MagazineShe currently serves as president of Soho Photo Gallery in NYC, a member collective with a rich 55-year history.

Websites: patriciabeary.com

Instagram: @patriciabeary

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