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Over six sessions, we explore how still life can be built from personal history, collected materials, and layered symbolic references. We begin by looking at historical and contemporary artists who use still life as a vehicle for emotional intensity, considering how meaning is constructed through objects, composition, and atmosphere. From there, we develop individual concepts through writing, sketching, and visual planning exercises that help translate ideas into physical form.
Light plays a central role throughout the workshop, used not just to illuminate but to shape tension, mystery, and emotional tone. We explore how it interacts with texture, surface, and arrangement to build scenes that feel intentional and charged.
Through demonstrations, assignments, and student image reviews, we focus on constructing still-life tableaux drawn from personal symbolism and lived experience. We consider how objects carry narrative weight, and how careful staging can transform familiar materials into something layered and evocative.
By the end of the workshop, there is a deeper understanding of still life as a tool for visual storytelling, along with a more intentional and expressive approach to building images that merge concept, material, and light.
Working knowledge of digital workflow and manual mode on your digital SLR or mirrorless camera. A tripod is helpful, but not required. Basic knowledge of digital photography post-production, such as Adobe Lightroom and Photoshop, is necessary.
Class will meet 9:30 – 11:30 am (Mountain Time) on Wednesdays starting October 7 and ending November 18 (six online group sessions). There will be no class held on November 11. Enrollment is limited to 12 participants.
Zoom Video Conferencing software (available for no charge from Zoom.com) will be used to facilitate the class sessions. Further details will be emailed to registrants.
Santa Fe Workshops always aims to produce a high-quality experience for our online attendees. That said, variables including regional and local internet provider speeds, traffic on Zoom's servers, and your own computing hardware can contribute to a less-than-ideal streaming event. While we do our best to minimize the impact of these variables, they are outside the control of Santa Fe Workshops.
View Withdrawal and Transfer Policies for online programs.
Recording class sessions using personal devices or third-party tools is not permitted. Session recordings are provided by Santa Fe Workshops and are available to enrolled students for two months after the class. This policy helps protect the intellectual property and privacy of both instructors and students.
Tara Sellios is a multidisciplinary artist working mainly in large-format photography and also in drawing, sculpture, and installation. Since receiving her BFA in photography/art history in 2010, she has exhibited both locally and nationally. Recent solo exhibitions include her first solo museum show, Ask Now the Beasts at Fitchburg Art Museum (Fitchburg, MA), Infernalis at Gallery Kayafas (Boston, MA), Sinuous at C. Grimaldis Gallery (Baltimore, MD), and Testimony at Blue Sky Gallery (Portland, OR). Her work is part of several permanent collections, including The Museum of Fine Arts Boston, the Museum of Photographic Art @ San Diego Museum of Art, The Danforth Museum, and the RISD Museum. Her visceral, highly detailed photographs are intensely planned and process-oriented, often using organic matter like animal skeletons and real, dried insects. Living and working in her South Boston studio, she uses an 8×10 view camera to photograph these arrangements, which result in dramatic, painterly still-life photographs wrought with sensuality, lightness, and darkness, and religious symbolism.
Website: tarasellios.com
Instagram: @tarasellios