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We work with emulsion, the light-sensitive layer within Polaroid film, which can be separated while wet and transferred onto new surfaces. Through this process, images shift and soften, producing unexpected textures, translucency, color variation, and distortion. Rather than treating these changes as errors, Cali encourages you to embrace imperfection, chance, and instability as essential elements of the work.
Through guided demonstrations and weekly explorations, we investigate how temperature, pacing, pressure, and surface choice influence the transfer process. As the weeks progress, our experimentation expands to include sequencing, layering, hand manipulation, and transferring images onto alternative surfaces and objects. Subtle interventions such as tearing, folding, and reassembling images are introduced as ways to further disrupt and reframe photographic meaning.
Each session includes group image reviews and guided discussion that support reflection on process, materiality, and the evolving life of the photographic image once it has been deconstructed and reconstructed. Together, we consider how physical transformation alters authorship, memory, and narrative within photographic practice. By the end of the workshop, you leave with a deeper understanding of emulsion transfer as both a technical process and a conceptual tool, along with a body of experimental work rooted in curiosity, touch, and material engagement.
No prior experience is necessary. Please note that the film must be Polaroid brand, other instant films, such as Instax, will not work. Compatible films include Polaroid i-Type, Polaroid Go, 600 color, 600 black and white, SX-70 color, and SX-70 black and white.
Participants must have access to a Polaroid camera or Polaroid lab. Any Polaroid camera that uses integral (non–peel-apart) film is suitable. Required materials also include paintbrushes, hot water, watercolor paper, scissors, and one to two trays. A material list will be provided.
Class will meet 10:00 am – 12:00 pm (Mountain Time) on Saturdays starting June 6 and ending June 27 (four online group sessions). Enrollment is limited to 12 participants.
Zoom Video Conferencing software (available for no charge from Zoom.com) will be used to facilitate the class sessions. Further details will be emailed to registrants.
Santa Fe Workshops always aims to produce a high-quality experience for our online attendees. That said, variables including regional and local internet provider speeds, traffic on Zoom's servers, and your own computing hardware can contribute to a less-than-ideal streaming event. While we do our best to minimize the impact of these variables, they are outside the control of Santa Fe Workshops.
View Withdrawal and Transfer Policies for online programs.
For the convenience of participants, recordings of each class session are posted privately for one month after the end of each session. Santa Fe Workshops takes the recordings down after one month to protect the intellectual property of our instructors.
Cali M. Banks is a lens-based artist based in Syracuse, NY. Working through experimental photography and filmmaking, her practice reclaims identity using auto-ethnographic approaches to explore personal and collective histories, intimacy, and expanded definitions of Indigenous art. She is interested in image-making as a record-keeping tool that can be manipulated to recreate memory, history, and healing.
Cali holds an MFA from the University of Colorado Boulder and a BA from Allegheny College. She manages communications at Light Work and teaches at Syracuse University and Penumbra Foundation. Her work has been exhibited internationally, including at Art Basel Miami and the Everson Museum of Art, and published in Nueva Luz, The Hand Magazine, Der Greif, and Rolling Stone France. She is a 2024 En Foco Fellow and a 2026 resident at Vermont Studio Center.
Website: calimariebanks.com
Instagram: @bankscal