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Over four sessions, you explore creative strategies for making still-life photographs that feel inventive, expressive, and personally resonant. The course begins with an overview of contemporary still-life photography, along with practical guidance for setting up a functional studio space, whether you’re working in a dedicated studio or a small corner at home.
From there, you experiment with lighting, printed and unconventional backdrops, in-camera collage, and other hands-on methods that encourage risk-taking and an “anything goes” mindset. Kimberly works primarily with daylight, using tools such as fill, flags, and diffusion, while also demonstrating how similar effects can be achieved with strobe. You explore backdrops beyond traditional seamless paper, including printed imagery, fabric, wrapping paper, and other materials that add texture and context to the scene.
A key focus of the workshop is working in camera rather than relying on post-production. You build layered still-life arrangements using flat, printed elements such as cut paper, altered imagery, or found materials, and use lighting and camera angle to create the illusion of dimensional space. No Photoshop collage is taught; instead, the emphasis is on constructing and photographing the scene in real time.
Through a combination of lectures, demonstrations, weekly assignments, and image reviews, you focus on how lighting, lens choice, camera angle, and spatial relationships can transform ordinary objects into compelling visual narratives. By the end of the workshop, you leave with a deeper understanding of experimental still-life practices, an expanded visual vocabulary, and a renewed sense of possibility in your studio work.
Working knowledge of digital workflow and manual mode on your digital SLR or mirrorless camera. A tripod is helpful, but not required. Basic knowledge of digital photography post-production, such as Adobe Lightroom and Photoshop, is necessary.
Class will meet 9:30 am – 12:00 pm (Mountain Time) on Saturdays starting May 16 and ending June 6 (four online group sessions). Enrollment is limited to 12 participants.
Zoom Video Conferencing software (available for no charge from Zoom.com) will be used to facilitate the class sessions. Further details will be emailed to registrants.
Santa Fe Workshops always aims to produce a high-quality experience for our online attendees. That said, variables including regional and local internet provider speeds, traffic on Zoom's servers, and your own computing hardware can contribute to a less than ideal streaming event. While we do our best to minimize the impact of these variables, they are outside the control of Santa Fe Workshops.
View Withdrawal and Transfer Policies for online programs.
For the convenience of participants, recordings of each class session are posted privately for one month after the end of each session. Santa Fe Workshops takes the recordings down after one month to protect the intellectual property of our instructors.
Kimberly Witham is a fine-art photographer and educator. Her work, which is heavily influenced by art history and the natural world, has been featured in Color Magazine, PHOTO+, BLOW Photo, BLINK, Foto, Orion, The New Republic, Wired (online), and on book covers in the U.S. and France. A 2016 National Geographic film, Making Roadkill into Art, chronicles Kimberly’s studio practice. In addition to being shown in solo and group exhibitions in the U.S. and abroad, her work is held in numerous private collections. She has received a fellowship at the Center for Emerging Visual Artists, the Feature Shoot Emerging Photography Award, the Clarence John Laughlin Award, and the Lindback Distinguished Teaching Award.
Website: kimberlywitham.com
Instagram: @kimberlywitham