© Cali M. Banks
Online

Braided Lines: Exploring the Intersections of Poetry and Photographic Practice

with Cali M. Banks

Online registration for this program has closed. To check availability, find out about future dates, or if you would like further information, please call 505-983-1400 ext. 111. Also, get the SFW E-Newsletter for updates!

Sign-up for the Newsletter:

Course Description

What happens when poetry and photography start speaking to each other instead of standing apart? In this new concept-driven online workshop, we explore how language and image can become a braided practice, each shaping, responding to, and pushing the other.

Led by artist and educator Cali M. Banks, together we move through a full cycle of photographic practice, conceptualizing, photographing, editing, and sequencing a small body of work while working alongside poetic prompts, texts, and your own writing. Rather than treating words and images as separate forms, we use both as active tools, letting each shape how you see and build the other. Lines of verse begin to suggest composition, while light, texture, and framing feed back into writing.

Over four group sessions, we engage with ideas around materiality, perception, and the structure of language, considering how words and images function as physical and conceptual systems. We explore how meaning changes when text and photograph are placed in direct relationship, and how intention, chance, and interpretation shape the work that emerges.

Through weekly demonstrations, guided exercises, and ongoing exploration, poetry and photography remain in constant dialogue. We also work with sequencing, layering, and different presentation forms, allowing your work to evolve across both written and visual formats.

Each session includes group image and text review, with discussion focused on process, decision-making, and how the relationship between writing and image develops over time. By the end of the workshop, poetry and photography feel less like separate elements and more like interwoven parts of a shared practice.

Additional Information

WHO SHOULD ATTEND:
All are welcome
What You Should Know:

Basic computer skills and the ability to edit and download images using editing software are necessary.

Policies:

View Cancellation and Transfer Policies for online programs.

Recording class sessions using personal devices or third-party tools is not permitted. Session recordings are provided by Santa Fe Workshops and are available to enrolled students for two months after the class. This policy helps protect the intellectual property and privacy of both instructors and students.

about
Cali M. Banks

Cali M. Banks is a lens-based artist based in Grand Rapids, MI. Working through experimental photography and filmmaking, her practice reclaims identity using auto-ethnographic approaches to explore personal and collective histories, intimacy, and expanded definitions of Indigenous art. She is interested in image-making as a record-keeping tool that can be manipulated to recreate memory, history, and healing.

Cali is a Visiting Professor of Photography at Grand Valley State University. She holds an MFA from the University of Colorado Boulder and a BA from Allegheny College. Cali has served on the faculty at Syracuse University, Indiana University, Pratt Institute’s Munson Campus, and the University of Colorado Boulder. She also teaches through Penumbra Foundation. Her work has been exhibited internationally, including at Art Basel Miami and the Everson Museum of Art, and published in Nueva Luz, The Hand Magazine, Der Greif, and Rolling Stone France. She is a 2024 En Foco Fellow, a 2024 resident at Penumbra Foundation, a 2025 resident at Aurora PhotoCenter, and recently received the JGS Fellowship in Photography supported by the New York Foundation for the Arts.

Website: calimariebanks.com

Instagram: @bankscal

You May Also Like

Food as a Doorway to Memory: A Memoir Workshop

with Molly Wizenberg

March 3 – 20, 2027

A Natural Eye: The Expressive Landscape—Big Sur, California

with Eddie Soloway

December 1 – 6, 2026

Web Design for Photographers

with Cotton Miller

February 10 – March 10, 2027

Day of the Dead in Oaxaca

with Marcela Taboada

October 29 – November 3, 2026

Sketchbook Practices for Photographers

with Kelly Lee Webeck

January 16 – February 20, 2027

Serving as Witness to Your Life: A Photographic Practice

with Ibarionex Perello

February 4 – February 25, 2027

Silver and Gold Leaf Photography

with Marcy Palmer

January 12 - February 2, 2027

The Black-and-White Image

with Carlan Tapp

November 7 – December 2, 2026

Photoshop Compositing: A Garden of Delights

with Ryn Clarke

January 11 – 28, 2027

The Expressive Lens

with Renee Lynn

January 12 – February 2, 2027

Making Digital Negatives and Cyanotypes

with Cotton Miller

January 6 – 27, 2027

Introduction to Video Storytelling for Photographers

with Marco Serventi

February 3 – March 10, 2027

Editing with Intention

with Don Werthmann

January 9 – 30, 2027

ICM and Cyanotypes: Blending Digital and Analog Processes

with Stephanie Johnson

November 17 – December 15, 2026

Emotions and the Ephemeral World of Florals

with Leanne Trivett S.

January 20 – February 17, 2027

Creative Collage: Techniques for Visual Storytelling

with Sarah Hadley

January 6 – 27, 2027