


























What happens when poetry and photography start speaking to each other instead of standing apart? In this new concept-driven online workshop, we explore how language and image can become a braided practice, each shaping, responding to, and pushing the other.
Led by artist and educator Cali M. Banks, together we move through a full cycle of photographic practice, conceptualizing, photographing, editing, and sequencing a small body of work while working alongside poetic prompts, texts, and your own writing. Rather than treating words and images as separate forms, we use both as active tools, letting each shape how you see and build the other. Lines of verse begin to suggest composition, while light, texture, and framing feed back into writing.
Over four group sessions, we engage with ideas around materiality, perception, and the structure of language, considering how words and images function as physical and conceptual systems. We explore how meaning changes when text and photograph are placed in direct relationship, and how intention, chance, and interpretation shape the work that emerges.
Through weekly demonstrations, guided exercises, and ongoing exploration, poetry and photography remain in constant dialogue. We also work with sequencing, layering, and different presentation forms, allowing your work to evolve across both written and visual formats.
Each session includes group image and text review, with discussion focused on process, decision-making, and how the relationship between writing and image develops over time. By the end of the workshop, poetry and photography feel less like separate elements and more like interwoven parts of a shared practice.
Basic computer skills and the ability to edit and download images using editing software are necessary.
Class will meet 5:30 – 7:30 pm (Mountain Time) on Tuesdays starting October 6 and ending October 27 (four online group sessions). Enrollment is limited to 12 participants.
Zoom Video Conferencing software (available for no charge from Zoom.com) will be used to facilitate the class sessions. Further details will be emailed to registrants.
Santa Fe Workshops always aims to produce a high-quality experience for our online attendees. That said, variables including regional and local internet provider speeds, traffic on Zoom's servers, and your own computing hardware can contribute to a less-than-ideal streaming event. While we do our best to minimize the impact of these variables, they are outside the control of Santa Fe Workshops.
View Withdrawal and Transfer Policies for online programs.
Recording class sessions using personal devices or third-party tools is not permitted. Session recordings are provided by Santa Fe Workshops and are available to enrolled students for two months after the class. This policy helps protect the intellectual property and privacy of both instructors and students.
Cali M. Banks is a lens-based artist based in Syracuse, NY. Working through experimental photography and filmmaking, her practice reclaims identity using auto-ethnographic approaches to explore personal and collective histories, intimacy, and expanded definitions of Indigenous art. She is interested in image-making as a record-keeping tool that can be manipulated to recreate memory, history, and healing.
Cali holds an MFA from the University of Colorado Boulder and a BA from Allegheny College. She manages communications at Light Work and teaches at Syracuse University and Penumbra Foundation. Her work has been exhibited internationally, including at Art Basel Miami and the Everson Museum of Art, and published in Nueva Luz, The Hand Magazine, Der Greif, and Rolling Stone France. She is a 2024 En Foco Fellow and a 2026 resident at Vermont Studio Center.
Website: calimariebanks.com
Instagram: @bankscal