Online

Art Reproduction with Your iPhone

with Cotton Miller

June 2 and 4, 2026

Tuesday and Thursday; 5:00 – 7:00 pm (Mountain Time)
  • Tuition $195.00

Course Description

Accurate documentation of your creative work is an essential but often overlooked part of an artist’s practice. Whether your work lives on paper, canvas, fabric, metal, or in three dimensions, the quality of its photographic reproduction shapes how it is seen, shared, archived, and understood.

This new online program led by Cotton Miller focuses on using the iPhone as a precise, flexible tool for art reproduction photography. Rather than treating your mobile device as a compromise, we approach using an iPhone as a capable camera when paired with careful positioning, controlled lighting, and intentional workflow decisions. Over two group sessions, you learn how to photograph artwork with correct geometry, balanced illumination, and faithful color, producing files suitable for websites, portfolios, grants, publications, video, and print.

Cotton’s course is designed for visual artists needing reliable images of their work, students preparing portfolios or applications, makers and designers selling work online, artists without access to a DSLR or studio lighting, and anyone wanting a simple, professional capture workflow using an iPhone. 

Session 1 — Capture Techniques

We begin with the foundations of making a clean reproduction image using only your iPhone:

  • Understanding iPhone camera settings + Pro controls
  • Locking exposure, focus, and white balance
  • Best practices for positioning your artwork
  • Correcting geometry and avoiding distortion
  • Glare control and lighting strategies using natural light or inexpensive LEDs
  • Photographing textured artwork, reflective surfaces, and dimensional pieces


Session 2 — Editing + Preparing Files for Use

In this session, we move from capture to polished, professional output:

  • A sample file-naming and archiving structure for artists
  • Straightening, cropping, and perspective correction
  • Color correction and matching to the original piece
  • Cleaning edges, dust, shadows, and backgrounds
  • Preparing files for:
    • Website portfolios and online galleries
    • Social Media platforms 
    • Online Shops + print-on-demand
    • Video slideshows or reels
    • Fine-art printing (resolution, color space, upscaling, sharpening)
  • Export settings for web and print
  • Creating your own reproducible workflow checklist


By the end of this program, you are able to photograph your artwork with consistent, professional results, avoid the most common reproduction mistakes, produce color-accurate files for print and online platforms, build a personal workflow you can use for an entire body of work, and feel confident documenting your art without specialized gear. 

Additional Information

WHO SHOULD ATTEND:
Amateurs, Advanced Amateurs
What You Should Know:

Participants need an iPhone (any recent model from a 13 onwards), although older models also work with limitations; a few pieces of artwork to photograph; good natural window light or inexpensive LED lights; optional but recommended: a small tripod or phone stand, iPhone tripod mount, Color Calibration Card.

Special Notes:

Class will meet 5:00 – 7:00 pm (Mountain Time) on Tuesday, June 2 and Thursday, June 4 (two online group sessions).

Zoom Video Conferencing software (available for no charge from Zoom.com) will be used to facilitate the class sessions. Further details will be emailed to registrants.

Santa Fe Workshops always aims to produce a high-quality experience for our online attendees. That said, variables including regional and local internet provider speeds, traffic on Zoom's servers, and your own computing hardware can contribute to a less-than-ideal streaming event. While we do our best to minimize the impact of these variables, they are outside the control of Santa Fe Workshops.

Policies:

View Withdrawal and Transfer Policies for online programs.

For the convenience of participants, recordings of each class session are posted privately for one month after the end of each session. Santa Fe Workshops takes the recordings down after one month to protect the intellectual property of our instructors.

© Cotton Miller
about
Cotton Miller

Cotton Miller received his MFA in Photography & New Media in 2013 from Lesley University College of Art and Design, in Boston. In addition to being honored by The Boston Globe as one of six artists to watch in 2013, he had multiple exhibits in Boston and has won awards from the Society of Professional Journalists and the Texas Intercollegiate Press Association in 2007. Cotton has also assisted with projects for Time Magazine, ESPN Magazine, Athleta, and Highsnobiety.

Cotton is the Web Manager for Santa Fe Workshops and does web and exhibition consultation projects for a variety of artists, and is Adjunct Faculty for the Glassell School of Art at the Museum of Fine Arts – Houston. He has designed websites for Nevada Wier, Christopher James, Alison Wright, Elizabeth Opalenik, and Santa Fe Workshops. Cotton’s personal work combines traditional printing methods with digital, alternative process, mixed media, and multimedia. He worked as a master printer for Blazing Editions in Providence and Cotton was a research assistant for The Book of Alternative Photographic Processes (third edition) by Christopher James. Cotton collaborates with many artists for not only web design, but also digital retouching, graphic design, exhibition design, exhibition production, and printing fine art editions.

Website: cottonmiller.com

Instagram: @cottonmiller

Upcoming programs with Cotton Miller
Making Digital Negatives and Cyanotypes
with Cotton Miller
What’s New in Lightroom Classic
with Cotton Miller
The Fine-Art Digital Print
with Cotton Miller

You May Also Like

– Summer Season

Architectural Photography: Beauty and Structure

with Nick Merrick

July 13 – 17, 2026

How to Talk and Write About Your Work

with Jean Miele

April 10 – May 8, 2026

Nikon Z8 and Z9 Cameras: In-Depth Features

with Lindsay Silverman

June 8 – 18, 2026
– Summer Season

The Hand-Colored Photographic Print

with Kate Breakey

July 13 – 17, 2026

Festival Time in San Miguel de Allende

with Nevada Wier

October 1 – 5, 2026

Day of the Dead in Oaxaca

with Marcela Taboada

October 29 – November 3, 2026
– Summer Season

The Fine-Art Digital Print

with Cotton Miller

June 29 – July 3, 2026

Silver and Gold Leaf Photography

with Marcy Palmer

April 7 – 28, 2026

The Language of Polaroid: Exploring Your Creative Potential

with Jari Poulin

October 6 – November 10, 2026

Making Digital Negatives and Cyanotypes

with Cotton Miller

April 1 – 22, 2026

Canon EOS R Series: In-Depth Features

with Nathan Bett

June 17 – 26, 2026

Fujifilm X Series: In-Depth Features

with Rick Berk

July 21 – 31, 2026
– Summer Season

Land as Collaborator: Remixing Digital Prints in the Landscape

with Anna Rotty

June 22 – 26, 2026

Emotions and the Ephemeral World of Florals

with Leanne Trivett S.

June 4 – July 2, 2026
– Summer Season

The Handmade Artist Book

with Diana Bloomfield

July 20 – 24, 2026
– Summer Season

Color Light Action Pattern

with Nevada Wier

June 29 – July 3, 2026