Bend the rules and try new things with Alternative Processes. There are just as many ways to create an image as there are images to create. Don’t let yourself get stuck in a creative rut. Experimenting with different cameras and printing methods is a great way to give your imagination a kickstart.
Reimagine and transform photographs through a variety of different mixed media possibilities, learning from four artistic masters who guide participants through the technical and creative considerations, processes, and different perspectives in harnessing a new way of thinking.
This new online process-based workshop led by artist and educator Cali M. Banks, invites you to slow down and explore the tactile, transformative possibilities of emulsion lifts and transfers using Polaroid film.
With Stephanie Johnson’s guidance, learn to create individually expressive images using digital processes, such as Intentional Camera Movement (ICM), Multiple Exposure (ME), and creative processing techniques, while weaving handmade analog processes into the mix.
Join interdisciplinary artist and educator Anne Eder as she introduces you to the magic of Ziatype, a variation of palladium printing that lets you watch your image appear right before your eyes, requiring no developer.
This hands-on, three-day workshop in Santa Fe is intended for anyone who wishes to embrace a strong understanding of the origins, technicalities, and many forms of pinhole photography or is drawn towards the methodical nature of analog techniques.
Visual artist and photographer Daura Campos leads you through Film Soup, a process that physically alters undeveloped photographic film using common household ingredients, along with learning how to prepare and shoot film specifically for this process.
Explore and experiment with ways to leverage your photographic images for fresh, unexpected results in this new online workshop led by photographer and mixed media artist Maura Allen
Join artist Vanessa Marsh in exploring the practical side of lumen printing—processing images, gauging light intensity, and selecting the right paper as well as experimenting with exposure times and multiple exposures.
Join Morgan Ford Willingham as she guides students through the required setup necessary to create cyanotype prints on fabric, using several different surfaces to push the boundaries, generating alluring handmade alternative images.
Explore mordançage’s transformative effects on both black-and-white and color prints and film, while also examining its role in the ongoing “analog resurgence” with Canadian visual artist and filmmaker Ella Morton.
