On Location

Seeing Light

with

Online registration for this program has closed. To check availability, find out about future dates, or if you would like further information, please call 505-983-1400 ext. 111. Also, get the SFW E-Newsletter for updates!

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Course Description

Photographers, novices and professionals alike sometimes take light for granted and neglect its subtleties. Tony O’Brien shares his decades of experience to help participants heighten their awareness and truly see what it is your photograph and how to express that vision.

During this five-day workshop, while we are photographing during the day and at night, we are deepening our awareness by using only natural light. Rather than focusing on technical aspects, this week with Tony is about expanding our willingness to take risks and trust ourselves.

Keeping an open mind is essential in order to meet this challenge and resist the temptation to alter the light artificially. The streets of Santa Fe and villages of Northern New Mexico is our playground. Whether our focus is on portraits, still life, landscapes, we learn to think about what it is we want to say through our photographs as we experiment with light.

Our schedule includes time alone photographing, as well as time spent together discussing our work and what it reveals. Daily image reviews and assignments fill our days, as we perceive, frame, and translate light into photographs that reveal so much more than the sum of their individual elements.

Additional Information

WHO SHOULD ATTEND:
Amateurs, Advanced Amateurs
What You Should Know:

Working knowledge of digital workflow and manual mode on your digital SLR or mirrorless camera. iPhone users are also welcome. All participants must be able to download, select, and transfer images to their own jump drive for class each day.

Categories
Creative Vision, Fine Art
© Nerissa Escanlar
about
Jennifer Spelman

Jennifer Spelman is a documentary photographer. She is co-publisher of CubaSeen, a quarterly magazine showcasing photography and writing about Cuba.

Jennifer received her photographic training as an assistant with Santa Fe Workshops, working with some of today’s most preeminent photographers: Jay Maisel, Norman Mauskopf, and Joe McNally.

A sensitive photographer of people, Jennifer strives to create portraits with energy and insight. She is most at home on the streets of Havana and has worked with Santa Fe Workshops across Cuba since 2011. Jennifer is a patient educator who has co-instructed with National Geographic Expeditions and taught workshops in Morocco, India, Turkey, Romania, Mexico, Japan, in addition to Cuba.

A popular workshop instructor, Jennifer is also part of our Mentorship Program »

Instagram: @jennifer_spelman

about
Arthur Meyerson

Arthur Meyerson is recognized as one of America’s finest color photographers and a highly sought-after workshop instructor. He has traveled throughout the world and all seven continents photographing for advertising, corporate, and editorial clients. He is a three-time winner of Adweek’s Southwest Photographer of the Year award, as well as being named one of the 30 best advertising photographers by American Photo. In 1999, Arthur was honored by Nikon’s illustrious Legends Behind the Lens series. His photographs are exhibited internationally, appear in numerous publications, and are part of several permanent museum collections. Arthur’s highly acclaimed book, The Color of Light was published in 2012 and his latest book, The Journey was released in 2017 to much praise. In 2022, the Briscoe Center in Austin, Texas acquired his photography archive.

A popular workshop instructor, Arthur is also part of our Mentorship Program »

Get to know Arthur in our Inspiration Series video »

Instagram: @arthurmeyerson

Other workshops with Carlan Tapp
Expressive Black-and-White Landscapes
with Carlan Tapp
The Photographer’s Eye
with Thomas Alleman
Photographic Haiku
with M. H. Rubin
The Expressive Lens
with Renee Lynn
Creative Post-Processing: Using Simple Techniques to Craft Artistic Images
with Shelley Vandegrift
Making Digital Negatives and Cyanotypes
with Cotton Miller

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