Looking... Looking...
with Sean Kernan
October 20 – 29, 2021
Wednesday, Friday, Monday, Wednesday and Friday; 12:30-3:30 pm (Mountain Time)
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Tuition $595.00
Online registration for this program has closed. To check availability or if you would like further information, please call 505-983-1400 ext. 111.
Course Description
We all begin our photography in much the same way: by walking around with camera in hand, looking for nothing in particular and finding patches of light, anomalies, things that are nice, things that are strange.
Things that, above all, surprise us.
We make some pictures. One of them opens a way for us. So we start looking for more such pictures. Suddenly we are … photographers.
This online workshop is about going back to our beginnings. We set aside the photographers we have become, while still drawing on the skills we've acquired over the years. Assignments reawaken awareness of the childlike mind that is the heart of creativity. We listen to a few lectures and presentations, and we engage in a series of exercises that loosen us up and carry us forward in our work.
We use photography not to picture what we know, but to find reflections of what we don’t. The more we let go of ingrained habits of seeing and thinking, the more we can make work that doesn't strive to capture images of something external.
Ultimately, we are not after photos that affirm what we already know. Instead, we seek ways to make our experience of things clear and real, first for ourselves and then for others. We are rewarded with fresh and compelling images that surprise, delight, and maybe even amaze us.
Additional Information
WHO SHOULD ATTEND:
What You Should Know:
Working knowledge of digital workflow and manual mode on your digital SLR or mirrorless camera. Participants must be able to select and organize images using image editing software for class sessions.
Special Notes:
Class will meet 12:30-3:30 pm (Mountain Time) starting October 20 and ending October 29 (Wednesday, Friday, Monday, Wednesday and Friday — five online group sessions). Enrollment is limited to 12 participants.
Zoom Video Conferencing software (available for no charge from Zoom.com) will be used to facilitate the class sessions. Further details will be emailed to registrants.
View Withdrawal and Transfer Policies for online programs.
Santa Fe Workshops always aims to produce a high-quality experience for our online attendees. That said, variables including regional and local internet provider speeds, traffic on Zoom's servers, and your own computing hardware can contribute to a less than ideal streaming event. While we do our best to minimize the impact of these variables, they are outside the control of Santa Fe Workshops.
Policies:
View Withdrawal and Transfer Policies for online programs.
For the convenience of participants, recordings of each class session are posted privately for two weeks after the end of each session. Santa Fe Workshops takes the recordings down after two weeks to protect the intellectual property of our instructors.
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about
Sean Kernan is a widely exhibited photographer, writer, film maker and teacher, focused on the exploration of creativity. He is the author of The Secret Books (with Jorge Luis Borges), Among Trees (With Anthony Doerr), Darrell Petit In Stone, and Looking Into the Light, on creativity and photography.
His photographic work has been exhibited and published in France, Mexico, Egypt, Greece, China, Italy, Switzerland, Iran, Korea, and across the U.S. He has made the award-winning films, Crow Stories, The Kampala Boxing Club, A Mind of Winter, and The Visitor. He has also collaborated with the dance company of choreographer Alison Chase on a theater/dance/multimedia work, Drowned that premiered at MASS MoCA. Clients include AT&T, Knoll, GE, Pratt and Whitney, New York Times, Smithsonian, Bloomberg, Harvard.
He has taught and lectured at the New School/Parsons, Art Center Pasadena, Yale Medical School, ICP, and the University of Texas, and he has written for Communication Arts, Lenswork, and Graphis.
Website: seankernan.com
